Dracula Cassette Stripper

20/03/2022 19:56

Dracula Cassette Stripper


All are familiar with the music cassette format for pre-recorded songs called tracks, which translates to video cassette as the filmed equivalent, but the idea of vampires, as the Dracs on a cassette, isn’t so familiar. In Romania ‘folk’ are taran, while ‘church’ in the neighboring country of Hungary is gyülekezet. The taran and the gyülekezet together make up the ‘tarantula cassette’, that is, Dracula’s a spider, because a Drac’ gyülekezet is where the pricks are recorded as what US’ producer, Phil Spector,1 who was convicted of shooting in the mouth and killing, Lana Clarkson, an actress for director Roger Corman  in Deathstalker (1983), etc., at his mansion, Pyrenees Castle, 1700 Grand View Drive, Alhambra, California state, on February 3rd, 2003, used to call a ‘wall of sound’, before the mighty erections of such churches were brought low by the blood suckers claiming that murdering a woman, as Jewish Spector suggests in the track, ‘Paper Thin Hotel’, produced for Canada’s singer-songwriting Jew, Leonard Cohen’s album, Death Of A Ladies Man (1977), is the equivalent of sacrificing an animal to God: ‘You are the naked angel in my heart … the woman with her legs apart.’2

 On June 4th, 1920, the Treaty of Trianon, at the château in the palace of Versailles, near Paris, France, stripped Hungary of a main arterial road, and rich vein of silver mining, as the victors of the First World War (1914-18), to prevent the German Empire of Kaiser Wilhelm I from enslaving Europe and the world, gave Transylvania, then part of Greater Hungary, to Romania. Those people, whose vein by the ear, used by their blood drinkers, is a means of transfusing life, after poisoning, and the trance then induced by the bite of the spider creature, which casts its sylvan shadow ‘cross the forest trunks. The carotid artery, or jugular vein, is where the teeth of the spider-vampire sink in. The creature, gaining control of the brain of the human through its victims’ audio and memory, that is, video, correlates with the VCR, that is, recorded at the church of the Drac’ gyülekezet, the saved blood of Hungarian cousins sings:


‘A Bárány Vére [The Blood of the Lamb]


A Bárány vére megtisztít

[The Lamb's blood cleanses]

És mindent újjá tesz.

[And makes everything new.]

Újjá tesz, újjá tesz.

[He makes it again, he makes it again.]

A bárány vére megtisztít

[The blood of the lamb cleanses]

És mindent újjá tesz.

[And makes all things new.]

A Jézus sebe meggyógyít …

[Jesus' wound heals …]

A Megváltó megszabadít …

[The savior delivers …]

A Bárány vére megtisztít,

[The blood of the Lamb cleanses,]

A Jézus sebe meggyógyít,

[The wound of Jesus heals,]

A Megváltó megszabadít …’3

[The Savior saves …]


 If the spider-tarantula on the cassette is Hungary, then the sheep-like zombie people are its blood-cleansers who, appearing as ethnically autonomous, are automatons controlled through transmissions to the ear by means of the carotid artery, and/or jugular vein, which the vampire of legend is described as biting in order to give and receive immortality. The Hungarians’ word for themselves is Magyar, that is, mad jaw, and their language is Magyarul, the rule of the mad jaw, because the spider-vampire seizes upon its prey to speak through it. As the carotid artery is a part of the blood system in the jaw, the objective of the trance-inducing poison of the vampire is control of audio and speech centers; to satiate a perhaps unquenchable thirst.

 The hypnotized congregation have the level of consciousness of dumb animals, while the wolves amongst the sheep, listening to the blood singing, anticipate The Silence of the Lambs, a 1988 novel by US’ author Thomas Harris, available as a filmed record on countless DVDs, about a killer, with the analogy of the lambs’ silence, before slaughter, used as the metaphor for the role of the flock, who’re effectively the ‘blood on the tracks’, as alluded to in the title of the Bob Dylan album, Blood On The Tracks (1975), with ‘You're a big Girl Now’ referring to the Drac’s teeth: ‘Like a corkscrew to my heart.’4 For a singer-songwriter like Dylan, a vampire corkscrewing down from the carotid artery and jugular vein to the heart, with a view to controlling the speech centers through audio input to the ear, is anathema, apart from obvious antipathy to living with a biting spider buried there in the flesh below the ear; taking demoniacal possession of the body through its poisoning fangs.

 However, according to Dror Ben Ami in The Jerusalem Post (2015), killing is what the flock is for, ‘Paul of Tarsus never said that the animal sacrifices of the Jews didn’t remove sins. To the contrary: he agreed they removed sins. The point Paul of Tarsus was trying to make was that the blood sacrifice of Jesus was a more effective way to remove sins, because it was only needed once, whereas Jewish blood sacrifices needed to be repeated year after year.’5 Although Christians are taught through the teaching of the Jewish Messiah, Jesus ‘Christ’, ‘the chosen’, that choosing to be a human sacrifice in time of war, for example, is a selfless act for the greater good of the wider community, what Dror means is that It’s literally necessary to have a plentiful supply of sacrificial human blood, which is what churches are for, as alluded to by English poet William Blake: ‘... was Jerusalem builded here, among these dark Satanic Mills?’6

 Apart from drinking blood, the Drac’ gyülekezet refers to asset strippers. In the ancient religion of Egypt, the goddess Isis is responsible for the resurrection of Osiris, who’d been Ra, the sun god, before his incarnation upon the Earth, as Horus, ‘the sky god’, in the form of a hawk. Wingéd is how vampires are depicted in legend, as detailed in Irish writer Bram Stoker’s novel, Dracula (1897). However, theirs are the night flights of bats that fly by sonar, as the lyrics to self-avowed Satanist English rock group Led Zeppelin’s ‘Night Flight’ suggest, from their album, Physical Graffiti (1975), they’re effectively blind to anything but their ghoulish activity:


‘Oh, I once saw a picture of a lady with a baby

Southern lady, had a very, very special smile

We are in the middle of a change in destination

When the train stops, all together we will smile.’7


 Although it was the German National Socialist (Nazi) Party of Chancellor Adolf Hitler that transported Jews by trains to be sacrificed in camps constructed for that purpose in locations like Auschwitz in Poland, and Jasenovac in Croatia, during their World War II (1939-45) attempt to enslave the Earth, Dror Ben Ami, writing in The Jerusalem Post, would agree that was what the Jews were for. Their deaths made the Germans feel better, which is Ami’s understanding of what it is to be redeemed. However, born from his mother, the Virgin Mary, Jesus was woman’s seed, killed by the Romans as a Jewish ‘dissident’, despite his preaching: ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Taken to the hill of Calvary, just outside the city of Jerusalem, Jesus was nailed to a cross of wood and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed, which is Redemption symbolized in Christian iconography by Mary crushing the head of a serpent with her foot, that is, human sacrifice is abhorrent.

 Stoker’s Dracula was based on the real-life historical character, Vlad Dracul III (c. 1428-1477), ruler of the central eastern European state of Wallachia, now inside modern Romania. Dracul was infamous for impaling his prisoners on stakes of wood during warfare. However, the legend is that vampires themselves are killed by a stake in the heart, which is comprehensible if borne in mind that vampires can’t be seen in the mirror, so women aren’t aware of their presence. As women are a separate distinct species with penis semen of their own for the sexual reproduction of their own brains’ power, their futanarian race can’t see the vampire’s reflection, because they’re unable to recognize it as a man. As women’s sexual reproduction between themselves is a stake in the heart for reproduction with men, women’s penis is their vampires’ killer.

 Analogous to the bat, the vampire has no other goal than to blindly drink the blood of its victims, whereas the role of Isis in Egyptian mythology is to resurrect, that is, give wings to the spirit of Osiris. In his novel, The Man Who Died (1928), D. H. Lawrence’s Christ figure encounters a priestess of Isis, who achieves his resurrection by having him remember women through her sexual stimulation of his member, that is, as women are the human species, Isis represents memory, because all women are the memory of the penis, which is theirs, whereas men are the parasitical leech that has appropriated her as a memorial to their killing of her race.

 As Asset is the alternative name of Isis, the feminine is as asset stripper to a pimp, who’s the modern version of the blood-sucking leech that uses women as a means to obtain the assets of its victims by their feigning not having some stake in the heart, for example, voluptuous US’ glamour model Anne Nicole Smith, married aged 27 to US’ petroleum tycoon, 89 year old J. Howard Marshall in Houston, state of Texas, on June 29th, 1994, resulting in her entitlement to his fortune shortly after he died, aged 90 on August 4th, 1995, was viewed by a largely unforgiving mass media entertainment industry as ‘gold digging’, a term used to describe women who wed for money. The modern Vlad knows he’s a vampire that can’t be seen in the woman’s mirror; even though he’s visible there. Hungary’s Drac’ gyülekezet is an asset stripper: if it doesn’t pass the Asset test.


1 Bruno, Anthony ‘Phil Spector: The 'Mad Genius' of Rock'n'Roll’, https://www.trutv.com/library/crime/notorious_murders/celebrity/phil_spector/index.html .

2 Cohen, Leonard (lyrics), and Phil Spector (music) ‘The Thin Hotel’, Death Of A Ladies’ Man, Warner Bros., 1977.

3 Anon, ‘The Blood of the Lamb’, https://www.kottacsere.hu/?p=1479 .

4 Dylan, Bob ‘You’re A Big Girl Now’, Blood On The Tracks, Columbia, 1975.

5 Ami, Dror Ben ‘Metaphors in the Torah: The Roles of Blood and the Liver in Removing Sin’, The Jerusalem Post, February 10th, 2015, 18:57 pm, https://www.jpost.com/Blogs/Torah-Commentaries/Metaphors-in-the-Torah-The-Role-of-the-Blood-and-the-Liver-in-Removing-Sin-390469 .

6 Blake, William ‘And Did Those Feet In Ancient Times’, c. 1808.

7 Jones, John Paul, Jimmy Page, and Robert Plant ‘Night Flight’, Led Zeppelin, Physical Graffiti, Swan Song, 1975.