The Internal Combustion Engine
The Internal Combustion Engine
There’ve been several theories about what an automobile is; for example, it’s a television, because men and women are bred as a single male brained creature wearing each other’s clothes, that is, as a transvestite ‘TV’, so the car, which conveys the feeling of remaining in the same place for a passenger, while visited by the universe, is a mobile television. Observing the people getting in and out of their vehicles suggests a mode of delivery, that is, the car is a teleporter, after the fashion of the ‘transporter beam’, aboard the starship Enterprise, commanded by actor William Shatner, in his role as Captain James T. Kirk, in the original science fiction television series, Star Trek (1966-69), which transmits members of the crew to their destinations instantaneously from the starship to another vessel, or planet, etc. Although people are slow, that is, their capacity to remember severely limits their ability to recognize-react, car teleportation only seems slow, as time is relative.
German physicist Albert Einstein’s (1879-1955) ‘theory of relativity’ formed the basis of the juvenile novel, Time For The Stars (1956), written by science fiction writer, Robert A. Heinlein (1907-88), which argued for the existence of ‘torch ships’ traveling at the ‘speed of light’. The story was about Tom and Pat Bartlett. Tom traveled to the planets amongst the stars while his brother aged and died, because time passed aboard a starship was relatively shorter.
However, as TV repeats, everything occurs again, so the impediment to life is brain impairment, where adequate memory capacity is required, so to make improved decisions based on previous experience. Although the ancient Hindu religion of the subcontinent of India, based on the Veda (c. 1500-900 B.C.) scriptures, defines the inability to remember of those who’re reincarnated as karma, in modern terms those are the television images for whom the car is a natal medium, that is, they’re born from their mother again as the car’s TV re-run nativity, where the object of rebirth is to make better decisions based on the knowledge accumulated through the experience gained from past lives.
In Heinlein’s Time For The Stars the torch ship is a stage in the development of instantaneous faster than light travel (FTL) throughout the cosmos which means that light speed ships are illustrative of the need to develop the science of rejuvenation. If Pat dies, while Tom’s still traveling around the universe, Tom’s closer to immortality. As the starships achieve faster than light travel, Tom remains young, while generations of people are born, live, and die upon the Earth. Moreover, if the science of rejuvenation confers immortality upon Tom, it’s the equivalent of being instantaneously transported, for example, if he’s physically young again, with all of his previous memories accessible, he’s where he was before. However, for TV people on Earth, rejuvenation requires that all of the reincarnated previous experience of past lives be accessible to the individual memory, so that informed decisions can be made, which is difficult, because they’re where they were before, that is, damned if they can’t remember.
Starship travel at faster than light (FTL) speeds is a concomitant of rejuvenation, which is the equivalent of transportation, that is, teleportation at a speed faster than light, so that the individual hasn’t experienced any physical deterioration in the course of their journeying, which may have taken ‘light years’ to accomplish,1 for example, is what rejuvenation is. The individual who can travel forever without deteriorating can always find their origins, as their memory isn’t blind, so they’re time-travelers too, because reincarnation and karma is a form of blindness, that is, if the mind can’t remember, the eyes can’t see.
In the early days of interstellar space travel the use of cryogenics was indicated as being necessary because of the length of the journey’s deteriorating the physical strength of the body, for example, 21st century spaceship technology couldn’t reach Alpha Centauri, the nearest star system to the Earth’s, within 100, 000 years, so it’d be logical to suppose that cryogenic sleep, that is, freezing the body, would be an option. In cryogenics the frozen body is awoken at journey’s end, so it’s the equivalent of instantaneous teleportation and/or faster than light travel, that is, the body hasn’t traveled, which is rejuvenation. However, cryogenic sleepers dream, which is where the archetypes of the developmental psychologist Carl Gustav Jung (1875-1961) drive the individual consciousness to higher levels.
According to Jung the individual human consciousness has an unconscious ‘Self’ which contains as a facultas praeformandi, the ‘God archetype’, which is the source of a plethora of archetypal impulses that drive consciousness to develop. Jung argued that the archetypes were discernible as figures and/or images in the dreams, art and imaginations of humans, for example, the anima archetype was the soul image, which could appear as a wise old woman, queen, witch, lover, and/or wife, etc., insofar as she represented a picture of the developing ego-consciousness of the individual in relation to the external reality. The contrasexual component in women was the animus: a crowd of male admirers. However, although Jung observed the importance of the hermaphrodite in alchemy, that is, the medieval precursor of medical science’s preoccupations with rejuvenation, that the human race of futanarian women with their own penis’ semen for the sexual reproduction of their own brains’ powers to take them to the planets amongst the stars of heaven, Jung failed to recognize that the male circle surrounding women was a slave ring coercing the human host womb of women to accept its parasitism. Consequently, although the anima was human, it belonged only to women’s seed, whereas men were in the role of parasitical demons.
When the demons emerge in cryogenic sleep, it’s as brain slavers, for example, Star Trek: The Original Series, is a description of what demons do: they ‘make’ pictures. Doing what they want them to, the characters correspond to the pictures ‘made’ by the demons. When the faster than light drive is invented, it’s because the demons have been the race drivers, that is, the human race is a ‘cargo cult’, which was a phenomenon noted by servicemen of the United States in the Pacific theater during WWII (1939-45) amongst islanders who built models of airplanes without knowing how they flew, which suggested they’d develop a parallel evolution of airplane design and manufacture lagging behind by many years that of the developed world. Used as a model by unscrupulous slavers, cargo cults made pictures of humans that were backward, that is, after the development of the FTL drive, humanity was enslaved.
The relationship between Tom and Pat Bartlett is that of the demon and the enslaved/damned. Tom has the torch ship and light speed, which will be superseded by FTL and instantaneous teleportation, that is, rejuvenation, while Pat has death and reincarnation in which the only possibility for this Jonah in the wheels' belly is to be able to remember how to invent the torch ship, while the cargo cult slavers’ brain damning prevents a re-run. The likelihood is that the demons so the same thing with every species that achieves interstellar space travel, because that’s what they’re for. A way of obviating demonic possession is to devise a method of traveling without the cryogenic sleep necessary for a race devoid of an interstellar spaceship drive to lessen the time needed to bridge the space between such vast distances as Sol and Alpha Centauri, but the demons would remain in latent anticipation of some other means of emerging to enslave.
The development of the car is that of the ‘cargo cult’ and reincarnation, that is, karma, wherein the brain damned are blind, that is, they can’t remember what has been, so they can’t make informed decisions, based on previously gained knowledge from their several lifetimes’ experience as an individual. Central to Jung’s theory of individuation was the ourobouros archetype which, a serpent with its tail in its mouth, was interpreted as the essence of the ‘projection making factor’, which was the role of the archetype in the human mind. The individual became more conscious and aware through recognizing and coming to terms with archetypes. The ourobouros was a symbol of the beginning and the end, that is, Alpha and Omega, which is what Jesus ‘Christ’, ‘the chosen’, described himself as.
Born from his mother, the Virgin Mary, Jesus was woman’s seed, executed during the Roman occupation of Palestine, in the reign of the Emperor Tiberius Caesar Augustus (14-37 C.E.), for teaching, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Taken to the hill of Calvary outside the city of Jerusalem Jesus was nailed to a cross of wood, where he died, but he experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed. Discovered with a woman anointing him with the expensive perfume, spikenard, Jesus’ disciple Judas’ spy canard was that the perfume should be sold to raise money, but Jesus demurred, ‘Leave her alone.’ (Mk: 14. 6) Judas betrayed Jesus to the Pharisees, the Jews’ religious police, because he perceived Jesus as a threat to the host womb slaving of the human futanarian species of women’s seed by the demons.
It was the German organic chemist, Auguste Kekulé (1829-96), who saw the archetype of the ourobouros serpent in a dream in 1862, and awoke envisaging the structure of the benzene molecule, that is, petrol, which is the fuel for the internal combustion engine that drives the car. As women are the human futa race, they’re Alpha and Omega, beginning and end, which is what the car represents. However, as a means of activating the transporter, the transmission of the engine is that of the virus of hell, that is, internal combustion is the means to transmit the occupants of the vehicle as AIDS/SARS.
As the cargo cult doesn’t regenerate, the organs degenerate, which is what the internal combustion engine is a symbol and metaphor for. The human deficiency virus (HIV) was discovered by DR Congo in 1983 being transmitted between homosexual men inserting their penis into each other’s anuses. The resultant acquired immune deficiency syndrome (AIDS) collapsed the organs of the body causing brain death. When severe acute respiratory syndrome (SARS), caused by the SARS virus, resulted in millions of deaths globally, after its emergence in 2002 in Yunnan province, China, scientists suggested its effectiveness was the consequence of a human immune system weakened by AIDS, that is, after the Marquis de Sade’s infamous novel, 120 Days of Sodom (c. 1785), the fiery Sade’s ass was the virus AIDS/SARS, and the internal combustion engine (ICE) its counterpart in a demonic picture straight out of Alighieri Dante’s vision of hell, Inferno (1320) in which fire and ice is the contrapuntal theme in the punishment meted out by God to the evil.
By the 21st century the cargo cult had become a car bomber. The invasion of the Ukraine on February 24th, 2022, by the Russian Federation, ordered to do so by President Vladimir Putin, was met with dismay when it was revealed that the Red Army was relying heavily upon the missile launched heavy flamethrower, TOS (TOC) 1 and 2 system, which effectively mirrored the two stage ‘biological weapon’ developed by homosexuality alien to human existence, that is, AIDS/SARS virus’ weakening of the human organs to induce flatulence, as a symptom of susceptibility, correlating with the TOS first stage laying of a flammable vapor, before ignition created the fires that sucked all of the air from the lungs in the style of the SARS virus; incinerating everything within the target zone.
That Africa’s DR Congo was communist when AIDS emerged there, and communist China was where the SARS-2 pandemic began at a Wuhan city hospital, Hubei province, in December 2019, contributes to the image of Vlad ‘the red dragon’ Putin, after the fashion of the 15th century’s Vlad Dracul III of Wallachia, now a part of modern Romania, whose method of dealing with his victims was to impale their anuses on stakes of wood, thereby releasing flammable fart gas, before they were burnt. Dracul (1428/31-1476/77) was the model for Irish writer Bram Stoker’s novel of the vampire, Dracula (1895), which agrees with 21st century assessments of Vlad ‘the oven’ Putin as a bloodthirsty vampire, persuading the Ukrainians to ‘put out’ the virus, before raising hellfire there again.
To the Russian leader, the Ukrainians were some craniums equivalent to doctoral (PhD) students at University, who to the Red Army were the equivalent of stuffed animals when they’d graduated, that is, they were food (PhD), which the Red Army was paid for cooking, and afterwards the Ukrainians could ‘put out’ some more to make some more stuffed animals for the pot, which is what the Russians thought their former ‘satellite states’ in Eastern Europe, that is, those nations that came under the sway of the Union of Soviet Socialist Republics (CCCP), after the defeat of dictator Adolf Hitler’s National Socialist (Nazi) Germany’s attempt to enslave and burn the brains of the region in the ovens of its death camps in WWII, and before the USSR’s December 1991 hypocritical endorsement of a future Commonwealth of Independent States (CIS), which initially included Russia, Byelorussia, and the Ukraine, were for. Hitler was wasteful of brains that could have been internally combusted by the ‘commies’.
1 A ‘lightyear’ is the distance traveled by light through the vacuum of space during a solar Earth year (365 days), that is, 9.46 trillion kilometers (9.46 × 1012 km).